Two layers of reeded glass, identical in pattern and frequency, rest one upon the other. When the lower surface is rotated, the alignment shifts and, from that shift, an optical interference emerges. The table does not change, yet it appears to.

Phasis is a dining table and a pair of side tables. Its structure is simple: a cylindrical pedestal, a circular base, a top made of two overlapping glass sheets. The complexity belongs entirely to the eye.

The effect is not decorative. It is physical — a direct consequence of form, material, and the act of touching. Each rotation produces a different visual frequency, turning an ordinary gesture into something worth pausing for.

A table that earns its presence not through appearance, but through what it asks you to notice.

A continuous line articulates the surface, transforming a flat plane into an active element. Each fold captures and redirects light, producing a rhythmic sequence of shadows that changes throughout the day.

Soglia functions as a coat rack, but its utility is inseparable from its spatial behavior. The object defines a threshold—not only in name, but in use—marking transitions between movement and pause, entry and rest.

Defined by repetition, precision, and restraint. A minimal gesture that turns light, shadow, and use into a single continuous system.

Tilt is a domestic object that reframes an overlooked everyday action: what happens after the rain. It collects water from a wet umbrella within its cylindrical body, keeping the entrance space clean.

Once the umbrella is removed, Tilt can be gently inclined, allowing the collected rainwater to flow out and be reused—turning disposal into care, and habit into intention.

Allume is a portable light that rethinks the candle as a modular, rechargeable object. Its base detaches and recharges by stacking. A magnetic system allows the light to attach to metal surfaces, transforming from table lamp into wall-mounted fixture.

Controlled by a chrome switch at the top, Allume revives the ritual of turning on a light through physical interaction—without sensors, apps, or unnecessary complexity.

Inspired by rocky desert plateaus, Mesa translates—through cathedral glass fusing—the warm hues and horizontal lines of geology. Transparency and overlapping colors create depth that shifts with the light, turning a piece of furniture into a domestic landscape suspended between nature and contemporary design.

A collection of outdoor furniture inspired by wildflowers. The chairs work as a group; like flowers in a field, their identity emerges through repetition and variation. Each model suggests a different bloom, without falling into decorative imitation.

Pratofiorito doesn't aim to create iconic objects, but a cohesive landscape—quiet, lightweight pieces designed to exist in relation to each other and their environment.

A collection that materializes a digital imaginary shaped by 1980s pop culture. It blends modular design, synthetic materials, and visual codes from early digital aesthetics to create objects that are both functional and scenographic.

Gridscape doesn't replicate the past—it translates it. Each object is a fragment of a fictional metropolis, where design becomes a language suspended between memory, simulation, and use.

Flutto and Chiglia are two pieces born from the desire to express the essence of the sea through wood. Crafted in cedar and teak, they embody both movement and structure.

Flutto captures the rhythm of waves through fluid, sinuous lines. Chiglia takes its name from the keel of a boat—its shape recalls a vessel slicing through water, with soft curves that offer a tactile experience as well as a visual one.